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August 01, 2010 11:14 AM UTC

An uplifting message about bird-flight

  • 3 Comments
  • by: NeonNurse

(Something to think about while we wish Aug 11th would just get here already.)

The physiology of bird-flight makes an interesting analogy for our political process.

The whole thing starts with a specialized body part right in the center of the bird–the wishbone. Really. Without that light and flexible fulcrum, flight would not be possible.

The center is also where the strongest muscles are. They provide the power for flight.  Got to have the center!

Lighter muscles in the right and left wings keep the feathers aligned.  If the feathers don’t all go in the same direction and fit snugly together, they can’t create lift. So in the main parts of each wing, cohesiveness and cooperation are key.

Feathers out toward the edge are more flexible than the ones in the main part of the wing. They react to the rapid and frequent changes in the air so as to keep the bird moving smoothly on its course. The edge might be more radical in its action, but when the bird needs a quick response and perhaps a change in direction, that’s where it starts.

And of course out on the far tips of both the left and right wings is where you find the loon feathers.

But hey, they’re part of the steering process too. (Lucky for the bird those feathers can’t manage the flight process all by themselves!)

So when you start to despair, remember: it takes all the parts working together to let the eagle fly.  

Comments

3 thoughts on “An uplifting message about bird-flight

  1. . . . don’t wanna vote for the left wing,

    . . . don’t wanna vote for the right,

    . . . gotta have both to make me fly.

    All American Alien Boy



     

      1. Ian Hunter’s one of the musicians that’s kind of provided the soundtrack of my life.

        This particular album was more “modern” when it came out in 1976.  (I actually think that his first self-titled album was his best, that came out around 1974.)  This particular song is semi-autobiographical because at the time Hunter was trying to establish U.S. residency, and he’s commenting upon his strange new home land — he’s the claimed all-american alien boy.  (It’s also a bit of an homage to John Lennon’s and his problems with U.S. immigration.)

        Hunter’s a british rocker, formerly lead singer and prime mover for the band, Mott the Hoople; true english-working-class rockers.  David Bowie was a big fan of Mott the Hoople, and he worked hard to help them gain a wider audience; he provided songs (All the Young Dudes) and musicians (most notably guitarist Mick Ronson, who subseqently worked with Hunter until he passed away).  Hunter’s a contemporary of David Bowie, Feddie Mercury  (who sings back up on a couple of tracks on this album), George Harrison, and John Lennon — he’s the one of that bunch that’s still out making some darn good music today.  (One of his more recent albums, which I really liked came out in 2007, it’s titled “Shrunken Heads” and it’s a broad commentary on the Bush/Cheney debacles at that time, all set to some really fantastic music.  Less than one year ago I saw him and his band on television as the musical guests on Craig Ferguson’s Late, Late Show)

        I hope I’m not boring you, but I’d rather write about 35-year old Ian Hunter songs than join the ongoing he-said-no-he-didn’t shill fest.  That was fun for a while, but it’s gotten to where it’s nearly impossible to find anyone that has anything new or interesting to say — not really worth the effort in my humble opinion.

        I enjoyed your diary, sorry it didn’t draw more attention.  Thanks for taking the time.

        (It looks like that for the next 10 days if a diary doesn’t have “Bennett”, “Romanoff”, “Tancredo”, or “McInnis” in the title line, it’s going to be pretty much get short shrift — nature of the beast here this season, I guess.)

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